Aether

A poetic dance set to music, brought to life with painterly visuals. Through dance, a man expresses a journey from turmoil into a moment of divine release.

As he moves across a milky-white environment, fine smoke and haze swirl and undulate in the air, varying in density, shape, and hue. Delicate music plays, opening the mind to another dimension — a depth of spirit and soul. Finally, we reach a climactic shift, a quiet transcendence that reveals the dancer as one small voice in a nearly infinite sky. A subtle voice-over enters — the protagonist’s own reflection on the phenomenon of “Aether,” drifting like an inner current beneath the movement.

In many ways, the space resembles living clouds, shifting and morphing and shaping into formations that reflect various moods — whether they be dramatic, poetic, uplifting, or an array of others. As the performance unfolds, it seamlessly melds with this ethereal space, creating a harmonious marriage of artistic expression.

The process to create this environment begins in a white studio with no discernible lines or boundaries, only infinite space. Within this world, we incorporate and combine different sources of smoke and mist. Some are heavy and dense, like dry ice that lies low on the floor and swirls with every movement. Others are a fine mist, diffusing light and creating depth in the otherwise undefined space. Densities, values, and colors blend and contrast like paint on a canvas — the dancer becomes the incidental brush.

What we capture practically in the studio becomes the foundation for further sculpting in CGI and post-production, where the ethereal world continues to evolve.

The camera brings the dancer to life on the screen. We're not merely watching from afar as one would during a stage performance; instead, we're painting a beautiful film through dance and movement. Some shots are filmed with a handheld camera, adding a lively edge, while others are captured with a Steadicam, smoothly dancing with our performer. And there’s also a spectacle to it all, as captured with sweeping movements on a Technocrane, lifting high in the air or swooping down low, punching through the smoke, chasing the dancer, and pulling back to an epic wide shot.

The dancer is Carl Giacomello Scharnberg, who is classically trained at the Danish National School of Performing Arts.

Credits

Aether

Dancer

Carl Giacomello Schernberg

Director

Martin Aamund

DOP

Jacob Møller

Editor

David Brodie & Shelly Rose (makemake)

Producer

Mille Bøgelund

Steadicam

Jonas torp

B-foto

Ida Gabriella

Crane

FilmGear

Grip

Bowie

Studio

The Lab

Gaffers

The Lab

SPCFX

Christian Schandorph

Styling

Christian Schleisner

Hair

Lasse Pedersen

Make up

Trine Skjøth

Post Production VFX

BaconX

VFX Supervisor on set

Jan Tvilling

VFX Supervisor / Creative Director

Jan Tvilling & Jonas Drehn

ACD

Ditte Marie Ludvigsen

EP

Lorène Lescanne

Head of production

Rikke Gjerløv Hansen

Color producer

Sophie Reynolds

Color assistant

Zara Bækkelund Kristensen

Colorist

Sam Gilling

VFX producer

Emilie Lausch

CG-lead

Thomas Haas-Christensen

CG artists

Niels Martin Träff, Arthur Dalvig, Marie Alsing Lead Compositor: Thomas Banner

Compositors:

Kai Hauswirth

Oliver Buus

Lonni Wong

Jacob Carlsson

Conform:

Søren Gorm Knudsen

Kevin Iversen

Matchmove

Qlbeans

Post production

Universal Production Partners (UPP)

VFX supervisor

Martin Pedro

Producer

Štěpán Kříž

Project coordinator

Katarína Boháčová

Colorist

Ondřej Štibingr

2D lead

Ronaldo Lima

Compositors:

Petr Grubner

Pavel Král

Tomáš Koutský

Jiří Nechanický

Alper Oktay

Milan Hotárek

3d

Václav Rolník, Rain Phillips, Adam Pižurný

Music

“Slow Motion” – Morunas (Norman Dück)

Project coordinator

Katarína Boháčová

Additional string arrangement used with permission.

Sound design

Thomas Luke Martin @ Goldfish Sound

VO

Tim Gray

Credits

Aether

Dancer

Carl Giacomello Schernberg

Director

Martin Aamund

DOP

Jacob Møller

Editor

David Brodie & Shelly Rose (makemake)

Producer

Mille Bøgelund

Steadicam

Jonas torp

B-foto

Ida Gabriella

Crane

FilmGear

Grip

Bowie

Studio

The Lab

Gaffers

The Lab

SPCFX

Christian Schandorph

Styling

Christian Schleisner

Hair

Lasse Pedersen

Make up

Trine Skjøth

Post Production VFX

BaconX

VFX Supervisor on set

Jan Tvilling

VFX Supervisor / Creative Director

Jan Tvilling & Jonas Drehn

ACD

Ditte Marie Ludvigsen

EP

Lorène Lescanne

Head of production

Rikke Gjerløv Hansen

Color producer

Sophie Reynolds

Color assistant

Zara Bækkelund Kristensen

Colorist

Sam Gilling

VFX producer

Emilie Lausch

CG-lead

Thomas Haas-Christensen

CG artists

Niels Martin Träff, Arthur Dalvig, Marie Alsing Lead Compositor: Thomas Banner

Compositors:

Kai Hauswirth

Oliver Buus

Lonni Wong

Jacob Carlsson

Conform:

Søren Gorm Knudsen

Kevin Iversen

Matchmove

Qlbeans

Post production

Universal Production Partners (UPP)

VFX supervisor

Martin Pedro

Producer

Štěpán Kříž

Project coordinator

Katarína Boháčová

Colorist

Ondřej Štibingr

2D lead

Ronaldo Lima

Compositors:

Petr Grubner

Pavel Král

Tomáš Koutský

Jiří Nechanický

Alper Oktay

Milan Hotárek

3d

Václav Rolník, Rain Phillips, Adam Pižurný

Music

“Slow Motion” – Morunas (Norman Dück)

Project coordinator

Katarína Boháčová

Additional string arrangement used with permission.

Sound design

Thomas Luke Martin @ Goldfish Sound

VO

Tim Gray

Address

Nansensgade 44

Email

hello@overthemoonsociety.com

Address

Nansensgade 44

Email

hello@overthemoonsociety.com